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Review: Mean Jeans – On Mars




Dirtnap Records
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Mean Jeans’ sophomore output On Mars doesn’t exactly pick up where their 2009 debut ? left off, but the connections aren’t particularly hard to make. There are still plenty of hooks, and childish jokes; pretty much it’s the soundtrack to getting day drunk. The few slow burners that they’ve released thus far have, in hindsight, alluded to the direction of On Mars rather well, as there’s a ton of slowed down tracks here (“School Lunch Victim”, “2 Twisted 2 Luv U”). However that’s not to say there are no fun-soaked tracks running a mile-a-minute here either. The opener “Ready 2 Rip” both catches you up to speed on their antics and changes over the last three years as well as provides an apt starting point for any new comers.
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Video: Mean Jeans – Anybody Out There?

’s have released the first from their upcoming record , due out on April 17th, 2012 on . On Mars is the band’s follow up to the 2008 debut on the label ?.

Ageism In Punk, Why It’s Okay To Be A “Post-Erg’s Band” And The Politics Of Record Store Day: An Interview With Night Birds


are a band that, while easily defined on paper by select few terms (re: “Post Ergs!”, “”, ect), continue to defy and question those very ideas through their show. The band are touring when they can on the heels of a number of EPs and in the preparation for their first full length record on Grave Mistake Records this June. The band ventured into Canada for their first shows out of the USA with a stop in and Montreal, opting for a DIY venue in lieu of a more formal venue; what would in all other cases be defined as a turned into a sweat drenched room covered in beer, glass, and spray paint by night’s end. The band’s blisteringly fast 7” EPs, and the near nihilist politics contained therein, made for the perfect soundtrack to the venue. The 1st Five’s Patrick McEachnie sat them down after the show to discuss ageism in , the politics of Record Store Day, and the genre defining beginnings of the band.
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Something Fierce Fight Back With Third Album Out Now On Dirtnap

For years I’ve made a point to check out each and every release from based Dirtnap Records, and as I expand both my collection and taste, the label has only become more important to both me and the rock scene in general. One of Dirtnap’s newer signings, , based , have just released their third full length album (second on Dirtnap) this week, and it continues the trend of phenomenal releases out of the label. Take the album, Don’t Be So Cruel out on a test drive with the track “Empty Screens“.

The band has a number of dates posted and confirmed for their upcoming west coast , seen below.

Apr. 12 – San Francisco, CA – Hemlock Tavern
Apr. 14 – Redding, CA – Bombay’s
Apr. 15 – Portland, OR – The Saratoga
Apr. 16 – Seattle, WA – The Funhouse
Apr. 17 – Vancouver, BC – Malone’s Bar & Grill
Apr. 18 – Boise, ID – Liquid Lounge
Apr. 20 – Albuquerque, NM – Blackbird Duvette
Apr. 22 – College Station, TX – Revolution Cafe

Video: The White Wires – Let’s Go To The Beach

were once Canada’s best kept secret, but now that they’ve released their sophomore record, , on ’s , I’m afraid I just can’t keep them away from you anymore. The band has just released a for their hit “Let’s Go To The Beach”, wherein they (yep, you guessed it), go to the beach. At the risk of this sounding like a Wavves video, this beach adventure is a lot less reverbed and spacey, and much more fun and cold. Check out the video below.

Dirtnap Records Post First Single From Upcoming White Wires LP

’s is releasing the new full-length. The pairing seems fitting, as White Wires is one of Canada’s best bands going, and Dirtnap is possibly the best representation of American and power-pop bands running. The band’s full-length, entitled is due out November 23rd. You can the first single, “Be True To Your School (’Til You Get Kicked Out)”, from Dirtnap here.

The Goodnight Loving The Supper Club


The
The Goodnight Loving Supper Club

2010

Since their debut LP Cemetery Trails in 2006, The Goodnight Loving have danced the lines between genres. They have an intense show only rivaled by that of rock bands, the dirty hooks of the scene, and lyrics that wouldn’t be out of place on Bob Dylan’s Blonde On Blonde. Starting with that first LP, I’ve had trouble trying to describe their sound to the people I think should listen to them; which realistically is everyone. However, with their newest effort, , they’ve moved another step away from any style you might expect.

The Supper Club is the fourth full length by this Milwaukee band, but their first on ’s Dirtnap Records. However, The Supper Club is the first Goodnight Loving record of its kind, and as such it takes time to appreciate. Unlike some of their earlier albums, which very quickly rose in the ranks of my record collection, like Cemetery Trails or Crooked Lake; The Supper Club might not completely grab you in upon first listen. Although it will prevent you from thinking about anything else until you finally crack it. Perhaps this is due to the diversity in tracks. It seems as if each song is followed by another it wouldn’t have naturally flown into, but that is a big part of the eventual appeal of this record. There are many bands who write one song, and continue to re-write it over and over again. Thankfully The Goodnight Loving are not that band.
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